The Sarasá Institute thanks everyone for participating in the launch of Professor Carlos Lemos’s book “Cidade sem Vestígios” (City Without Traces), which took place last month in São Paulo.For this occasion, we gathered friends, colleagues, researchers, and advocates for the preservation of cultural heritage. Fill out the form below to request a copy of Prof.…
From 2022 to 2024, the Participatory Project of Zeladoria, Conservation, and Restoration – “Learning with the Casa Amarela” took place in the historical property built in the early 20th century, located in downtown São Paulo, at Rua da Consolação, nº 1075 — a remarkable example of architecture and of multiple cultural expressions.The project was preceded…
Since 2022, Sarasá Institute, in partnership with Forte São Matheus, in the city of Cabo Frio, state of Rio de Janeiro, has been carrying out Zeladoria actions for cultural heritage.Initially, theoretical and practical workshops open to the public were held. The first meeting, entitled: “Zeladoria do Patrimônio Cultural and Forte São Matheus: Preservation of the…
During the pre-carnival period, in one of Brazil’s most cultural cities — Recife — at the “Marco Zero” landmark, Sarasá Institute carries out the update of field surveys of the historic headquarters of the Commercial Association of Pernambuco (ACP). At the beginning of 2025, as an initial and partial preservation effort, Zeladoria do Patrimônio Cultural…
At the end of 2024, a technical-pedagogical partnership began between the Sarasá Institute and the Secretariat of Culture, Economy, and Creative Industries of the São Paulo State Government. With the aim of promoting agendas in the Schools of Culture Professionals of the CultSP PRO Program, managed by the Institute of Development and Management (IDG), we…
The work Cidade sem Vestígios (City Without Traces), by Professor Dr. Carlos A. C. Lemos, will be launched soon and is produced by the Sarasá Institute. The book, “more than alerting us to what we have lost, opens the path to study and preserve this stage of the history of São Paulo’s architecture that had…
