{"id":1574,"date":"2025-02-18T16:56:54","date_gmt":"2025-02-18T19:56:54","guid":{"rendered":"https:\/\/institutosarasa.org\/what-we-do\/"},"modified":"2025-12-09T13:49:28","modified_gmt":"2025-12-09T16:49:28","slug":"what-we-do","status":"publish","type":"page","link":"https:\/\/institutosarasa.org\/en\/what-we-do\/","title":{"rendered":"What We Do"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” row_title=”faixa colorida” min_height=”16″][vc_column width=”1\/6″ css=”.vc_custom_1742342278219{padding-top: 16px !important;background-color: #BF3641 !important;}” offset=”vc_col-xs-2″][\/vc_column][vc_column width=”1\/6″ css=”.vc_custom_1742342283643{padding-top: 16px !important;background-color: #A6A04B !important;}” offset=”vc_col-xs-2″][\/vc_column][vc_column width=”1\/6″ css=”.vc_custom_1742342289077{padding-top: 16px !important;background-color: #F28D35 !important;}” offset=”vc_col-xs-2″][\/vc_column][vc_column width=”1\/6″ css=”.vc_custom_1742342297654{padding-top: 16px !important;background-color: #BF5A1F !important;}” offset=”vc_col-xs-2″][\/vc_column][vc_column width=”1\/6″ css=”.vc_custom_1742342302407{padding-top: 16px !important;background-color: #590202 !important;}” offset=”vc_col-xs-2″][\/vc_column][vc_column width=”1\/6″ css=”.vc_custom_1742342307029{padding-top: 16px !important;background-color: #821A1C !important;}” offset=”vc_col-xs-2″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_empty_space][vc_column_text css=””]<\/p>\n

\u201cThe general public, the faithful, traditional communities, people living in the surroundings of a cultural asset or on its periphery need to be integrated, heard, to give voice to the precepts of conservation, and to monitor the actions of the protection agencies.\u201d<\/span><\/h2>\n

Fl\u00e1via Sutelo,
\nmember of the Deliberative Council of Instituto Saras\u00e1 and Creative Director, Cultural Projects and Zeladoria at Est\u00fadio Saras\u00e1<\/small><\/p>\n

[\/vc_column_text][vc_empty_space el_id=”zeladoria”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_column_text css=””]<\/p>\n

Zeladoria Saras\u00e1<\/span><\/h2>\n

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The Zeladoria do Patrim\u00f4nio Cultural, our methodology for preserving ways of life and cultures, materializes in the practices of Instituto Saras\u00e1.<\/span><\/h2>\n

[\/vc_column_text][vc_column_text css=””]The Institute is a voice that echoes, reverberating the collective of cultural heritage, and weaving networks for its valorization. Thus, in human diversity and the plurality of heritage, participation, involvement, and love are foundational to the actions we name as the Zeladoria do Patrim\u00f4nio Cultural Saras\u00e1.<\/p>\n

The Zeladoria Saras\u00e1 is a methodology, a way of acting, of seeing cultures and heritage. Zeladoria Saras\u00e1 is a methodology, a way of acting, of looking at cultures and heritage. It is the sap that unites beings and that flows through conservation, restoration, and maintaining processes of care (zelo) and significance.<\/p>\n

The Instituto Saras\u00e1 is nourished by the Est\u00fadio and proposes practices of Zeladoria Cultural, in meetings, projects, workshops, exhibitions and productions with sociocultural, environmental, political, and pedagogical purposes.<\/p>\n

The Zeladoria seeks the restoration of the human dimension within the field of cultural and historic heritage, with the sensitivity to perceive the built environment and to act alongside it, with the intention of perpetuating it.<\/p>\n

We work from a living perspective, in search of traditional solutions, minimizing and even nullifying the agents that degrade the environment, the collections, the memory.<\/p>\n

Originally, when the Zeladoria do Patrim\u00f4nio Cultural was conceived, at the opening of the 2000s, its method of work was founded on three pillars \u2013 knowledge, belonging, and empowerment. This practice, already widespread within preservation policies throughout the country, with emphasis on civil society participation, is presently moving toward refinements.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”bottom” parallax=”content-moving” parallax_image=”766″ row_title=”img zeladoria”][vc_column][vc_empty_space height=”400px”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_column_text css=””]<\/p>\n

Themes of Action<\/span><\/h2>\n

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Instituto Saras\u00e1 operates in all Brazilian states, supporting the projects of Est\u00fadio Saras\u00e1 when needed.<\/span><\/h2>\n

[\/vc_column_text][vc_column_text css=””]Among our themes related to cultural heritage are society; the cultures that compose it; territories and territorialities; the preservation of natural heritage with protection of the environment and ecological relations; traditional knowledge and crafts; arts and trades; and the ways of living that worship or erase memories.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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